Wen Haotian: Don'T Use Clothes As A Showcase.

"I get more than I do."

This is what he said when he returned from the competition, which is almost the only thing he would like to explain to the outside world.

As for the intriguing contradictions, he is always led by a word "yes, no gain".

And this has become the best deduction for him to resist the outside world and focus on himself.

A similar interview was repeated almost every 5 minutes before he received an exclusive interview. He constantly strengthened his consciousness and kept returning to his world.

Everyone's fashion is different.

"I really did not say so much, did the director cut all the shots into it?" the young designer who was sick and inarticulate in the program was half joking. He shunted directly into the real recollection, and wanted to speak in a calm and light manner, just like someone else's story.

He said he didn't particularly like to show his face, crowd fear, and dizzy. He also said that two days before the recording, he formally decided to take part in the reality show.

And fighting alone is the true portrayal of Wen Hao Tian from inside to outside.

From the first stage of the program, he and the goddess Michelle Ye had a lot of inconsistency: she refused to wear his designs, she missed several design sessions, and he had little communication with her, and he kept silent.

Finally, in the sixth phase of Michelle Ye's absence, the show was declared to the public. Wen Hao Tian chose to withdraw from the match because of the star partner's departure.

"Every stage of embarrassing, the audience can see."

Although Martha, Zhang Chi, Ji Cheng and other well-known fashion designers gathered around the world, as well as international designers Cui Fanxi and others joined the show, the reality TV show looked "very beautiful and powerful". At the same time, Tmall and Chinese original designers who had been accused of piracy made a collective voice on the TV screen, but the smoke went uncontrolled from behind the scenes to the front desk.

It has been revealed that during the design of the third phase of the theme "the temptation to jump jump" design, he originally prepared the theme of the army, hoping to present the scene of the crossfire, but was stopped by the program group. The design theme had to be changed temporarily, resulting in the time of closing the card almost to the last second, and it was embarrassed to be driven out.

For Wen Hao Tian, who often lacks partners, it is just as commonplace as usual.

"There are gains and losses," he repeated. "If only designed to cater for the theme of a program, it would not be my ideal clothes.

Wen Haotian's brand needs to be identified. The success I pursue has a strong shadow of Haotian Wen. "

The retro coat, the broad legged trousers and the designer's perfume are the three most important series in Wen Haotian's most personal design.

In the Haotian Wen 2015 spring summer series, he specially commissioned the factory to produce a double-sided coloured fabric, which was very particular about the fabric and material. He used the classic French method to cut out the best lines. But in the dark blue skirt, the lemon yellow flicker was also visible.

In Wen Haotian's consistent black and white world, the dazzling light has more meanings.

"Unload the sharp and rigid armor and shell of life, return to a more real self, and occasionally reveal rebellious and willful, trying to try more future."

"Be yourself".

His last fame was due to Huang Wei, the art director of "little time", who commissioned him to design the drama.

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At the age of 18, he went to France alone. He studied Belso's fashion studio (Studio Bercot) and Istituto Marangoni (Sichuan) for the first time.

At that time, he set up the brand name Haotian Wen in Paris at less than 20 years old, and released the first women's clothing series in second years.

"When I first arrived in France, I had already planned the first and second steps, although I was only 18 years old, but I hope to do everything very orderly."

To a large extent, Wen Hao Tian's life plan is deeply influenced by her mother, a strong woman in business and financial circles.

"Haotian Wen's clothing is a gentle design for a strong woman. It is a garment that people who are calm down to think and precipitate will care about, instead of pursuing the tools of innovation."

Wen Haotian also hopes to inculcate the idea of elegant dress from the psychological level, and to voice these strong women and bring them new ways of life and self-confidence.

But the more profound this style is, the harder it is to label. It will also hinder the development of the brand.

Wen Haotian also admits that this is bound to be bound.

"But if you have a very distinct style and do not deliberately cater to the fashion trend, you can attract a dedicated customer and become a long-term source."

The lack of diversity is the voice most criticized by Wen Haotian.

Ma Rui, the guest of the goddess's new clothes, has made it clear that Wen Hao Tian can try to make some changes, not those labelled designs.

"I am willing to change, but I insist on what is called the right thing."

In the goddess's new clothes, he insisted on the autumn and winter in every period from the very beginning.

"First of all, this is a reality show, to consider the real needs of the buyer.

I have to stand at a very fair and market-oriented level to consider these problems.

The so-called persistence is this.

"After the 90s, it will be more integrated, no matter whether it is business or design."

Commercialization and marketization is the idea of Wen Haotian's success.

"In order to achieve the brand idea, we must first do business planning well and then design.

Combining these two things is what our generation must do.

Wen Haotian looked very tired and his eyelids were always drooping. Although the interview was nearly 22 hours, he had to go all the way to the next meeting.

"Experience is not a display of capital for me, it is a constraint and a benchmark for me to treat myself more harshly."

Wen Haotian said he couldn't ask himself for much. Though it was his second fashion show, he would still be very nervous.

"Just like students, everyone gets nervous when they are in the college entrance examination. If they are not nervous, it means they do not work hard."

"Everyone's fashion is different, so it's good to be yourself."

After 90, designer Hao Hao Tian has a less post-90's heart.

"Clothes depend on people to navigate, but many people use clothes as a showcase. If it's just to make clothes look good, that's not what I want to do."